ANTHEMANA! HzSGd
ÒFighting to
stay freeÓ #165...July 2012
And now, ladies and gentlemenÉ
ÉIÕm sitting here trying to figure out where and when the idea of the
rock or pop ÒanthemÓ began.
IÕm old enough to remember
a time when the only song anyone referred to as an anthem was ÒThe Star
Spangled Banner.Ó The most recent dictionary IÕve got in book form still
defines ÒanthemÓ as ÒA hymn of praise or loyalty.Ó The Free Dictionary online,
however, shows these additional definitions: ÒA modern ballad accompanied by
rock music instrumentationÓ and Ð get this Ð ÒA popular rock or pop song.Ó
ThatÕs like every hit ever made!
This explains why lately, the
word gets used so much to describe songs that IÕm wondering if it means
anything anymore. http://www.digitaldreamdoor.com/pages/best_songs-anthem.html
lists the Ò100 Greatest Rock Anthems.Ó I had no idea there were that many.
KissÕ ÒLick It UpÓ an anthem - really? IÕm fine with QueenÕs double punch of
ÒWe Will Rock YouÓ and ÒWe Are the Champions,Ó but the juryÕs out, way out, on
the also-ranked ÒRadio Ga Ga.Ó Like many, I feel Chuck BerryÕs ÒRoll Over
BeethovenÓ is a classic and deserves its behind-the-glass position in pop
history, but IÕd never call it an anthem (itÕs on this list, too).
Perhaps thereÕs room for
compromise. How about meeting in the middle and agreeing that in this age, an
ÒanthemÓ is a song not only instantly recognized by nearly everyone in a large
gathering Ð whether at a ball game or wedding party Ð but with the power to, at
its first note, make everyone respond with a raised hand and a Òyeaaaaaaaaaaaaaahhhhhhhhhhhhh!Ó
or Òwoooooooooooooooooooooooh!Ó following by singing along with every word (or
the one word, if itÕs Òheyyyyyyyy,Ó as in Gary GlitterÕs ÒRock and Roll Part
TwoÓ).
If youÕre good with that, itÕll
knock three quarters of the songs off that list, reducing most to, um,
mini-anthems or sub-anthems, you make the call. WhatÕs especially strange about
the list is the absence of the two biggest modern day pop anthems: JourneyÕs
ÒDonÕt Stop BelievinÕÓ and The Black Eyed PeasÕ ÒI Gotta Feeling.Ó Love or hate
either, you have to admit theyÕre anthems. If youÕre a long time pain, youÕll
probably recognize many of these titles from ÒThe Multi-Generational Appeal Top
40Ó in Hz #146 from August 2010. That
makes sense: to get an entire crowd on its feet, an anthem really should strike
the hearts and minds of people across ages and backgrounds.
Before. After.
WhatÕs great about anthems
is I probably donÕt have to explain their impact in any detail; weÕve all seen
and experienced how it works. ÒStar Spangled BannerÓ aside, my first experience
with an anthem wasnÕt at a baseball game because it was before ball games did
anything like that between pitches or innings (which should tell you how far
back I go). Rather, it was at a club in New York where the playing of Don
McLeanÕs ÒAmerican PieÓ made the crowd get in a circle and sing every word
(and, sometimes, hold hands) as if it were a religious service. Prior to that,
IÕd been to parties or clubs where a song showed anthem potential in a smaller
gathering. SpringsteenÕs ÒBorn to RunÓ always got everyone in the room up and
singing during my college years. In the early 1980s at a club near BostonÕs Fenway
Park, I first heard a DJ lead a sparse Monday night crowd in the call-response
for Neil DiamondÕs ÒSweet CarolineÓ that everyone seems to know today. Not sure
how you feel, but ÒCarolineÓ was the last song IÕd have ever expected to be anthem
material given its sound and structure, yet look what happened.
We are currently in an
Òanthem age.Ó Recorded music has taken over the world, so wherever you go, DJs play
songs to get the crowd going. That idea has spread to a virtual crowd (try posting
ÒBorn to Be WildÓ on Facebook and see what happens), even to a crowd of actors:
anthems have been a large part of the TV show GleeÕs success. Would the
rise of Òflash mobsÓ have happened if not for anthems?
Perhaps the most
significant part of Anthemania is in the current contemporary music
sweepstakes, where it seems like everyone wants to make a song that becomes an
anthem. ThereÕs a good reason for that. With all the distractions out there
now, itÕs not enough to just have a #1 song. YouÕve got to go beyond radio,
even beyond video. Event songs open doors for much wider exposure, in
advertising, all over the Internet and of course in places with crowds. In 2012
weÕve already had at least one anthem top the pop chart Ð fun.Õs ÒWe Are YoungÓ
Ð and some would argue that the current song at the top, Carly Rae JepsenÕs
ÒCall Me MaybeÓ qualifies given its all-over-the-video-place status. And there
are many anthem wannabes waiting in the wings.
ItÕs possible that what
now passes for human contact Ð texting, email, Facebook ÒfriendsÓ Ð has helped
give rise to Anthemania. The less we interact with each other by true social
contact or even just voice, the more we need songs to bring us together. If
thatÕs true, then we should be hearing and experiencing anthems by some
definition for some time to come.
The Hz Line
Rich,
you mentioned only five new members of "Rock & Roll
Heaven." In a three-month period we lost Dick Clark, Davy Jones,
Bob Welch, George "Goober" Lindsey (yes, he recorded two albums,
although they weren't rock & roll), Levon Helm of The Band, Greg Ham of Men
At Work, Joe Russell of the Persuasions, Adam Yauch of the Beastie Boys, Chris
Ethridge of the Flying Burrito Brothers, Doug Dillard of the Dillards, Peter
Jones of Crowded House, Donald "Duck" Dunn of Booker T. & the
MG's, Donna Summer, Robin Gibb, Doc Watson, and Herb Green of the Platters. I'm
sure that in the days before this letter sees print, we'll lose a few more.
And if your "never drink the
Kool-Aid" remark was a reference to the mass suicides of Jim Jones'
followers, you're perpetuating a popular misconception. They drank
cyanide-laced grape-flavored Flavor Aid, not Kool-Aid.
Steve in El-Lay
Points taken, Steve. Although I focused on those artists whose passing
got the most attention, youÕre absolutely right, and in fact, such an expansive
list actually makes my argument Ð that we should get used to losing this many
artists this often Ð all the stronger. Re your second observation, not sure
itÕs so much a misconception as a clichŽ of convenience, since most of us grew
up drinking Kool Aid and not Flavor Aid. Me, I was raised in a Funny Face
family (and if that isnÕt a setup line, I donÕt know what is).
From when I was a little goof.
And the hitsÉ
NEWSRADIO
ROCKS In the space of five minutes the other
day on WCBS-AM New York, I heard Gordon LightfootÕs ÒIf You Could Read My
Mind,Ó Kelly ClarksonÕs ÒStronger (What DoesnÕt Kill You)Ó and a third
contemporary hit from the past decade that I canÕt recall. For an all-news
radio station, thatÕs not so unusual anymore. Younger listeners and increased
competition have surely pushed news stations to use contemporary music to lead
off stories, in these examples Lightfoot for his Songwriters Hall of Fame induction,
Clarkson for some just-released scientific study on the non-killing effect of
some food or drug.
IÕve also noticed that when anchors
sign off and hand it to another newsperson, he or she often departs with a musical
ÔsoundtrackÕ taking the listener up to the next feature, be it the network news
or traffic-and-weather. Maybe IÕm just not listening at the right times, but I
havenÕt heard the newer FM news stations doing this as much as the
long-standing AMs. While music clips on AM arenÕt the full songs we used to
enjoy on full-service AM stations where news still ruled, it still makes me
smile to hear them, and it certainly gives all news a brighter and more
interesting sound than what we may be used to.
EXTRA-HZ-ULAR
ACTIVITIES Still
havenÕt made the jump to visual media, but if you donÕt mind reading or
listeningÉ
* Check out ÒThe CHRonicler,Ó in ThursdayÕs Billboard Top 40 Update (subscribe free
at http://www.billboard.biz/newsletters)
* On the radio side itÕs ÒThe Rest Of The Week
With Rich Appel,Ó Saturdays 6am-1pm ET, Sundays 10am-3pm ET (listen at http://wrnjradio.com/streaming/,
sample at http://wrnjradio.com/2012/03/watch-rich-appels-video-aircheck-video/).
Coming up on July 15th, the Top 67 of the Summer of Õ67. And filling
in afternoons 3-7pm ET during the week of July 2-6, if you see this in time.
* Columns weekly or close to at WOR RadioÕs
website (http://www.wor710.com)
* At Popdose (http://popdose.com/in-defense-of-1999/)
* Follow me at http://twitter.com/#!/@Restoftheweek
* Friend me on Facebook (http://www.facebook.com/richappel7).
So,
you see, the only thing left to do isÉ
Click.