| THE I.R.S. ("It Really Shoulda" been a top 10 hit!) TOP 104 - 2011 | |||||||
| 2008 | 2009 | 2010 | # | TITLE | Artist | YEAR | PEAK |
| 47 | 2 | 1 | 1 | NOTHING BUT A HEARTACHE | The Flirtations | 1969 | 34 |
| 1 | 66 | 2 | 2 | CAN'T FIND THE TIME (to Tell You) | Orpheus | 1968 | 80 |
| 34 | 4 | 3 | MR. DIEINGLY SAD | The Critters | 1966 | 17 | |
| 56 | 15 | 4 | THINGS I'D LIKE TO SAY | The New Colony Six | 1969 | 16 | |
| 5 | PRETTY BALLERINA | The Left Banke | 1967 | 15 | |||
| 6 | 1 | 3 | 6 | BORN TO RUN | Bruce Springsteen | 1975 | 23 |
| 43 | 8 | 7 | WILL YOU BE STAYING AFTER SUNDAY | The Peppermint Rainbow | 1969 | 32 | |
| 24 | 42 | 8 | THE SUN AIN'T GONNA SHINE (Anymore) | The Walker Bros. | 1966 | 16 | |
| 25 | 35 | 9 | AT LAST | Etta James | 1961 | 47 | |
| 51 | 65 | 10 | LOOK OF LOVE | Lesley Gore | 1965 | 27 | |
| 4 | 6 | 11 | IN THE STILL OF THE NITE | The Five Satins | 1956 | 29 | |
| 3 | 36 | 11 | 12 | RIVER DEEP - MOUNTAIN HIGH | Ike & Tina Turner | 1966 | 88 |
| 62 | 13 | THE CHEATER | Bob Kuban and the In-Men | 1966 | 12 | ||
| 31 | 9 | 14 | PIANO MAN | Billy Joel | 1974 | 24 | |
| 42 | 13 | 15 | YOU'VE GOT TO BE LOVED | The Montanas | 1968 | 58 | |
| 9 | 38 | 5 | 16 | SHAME, SHAME | The Magic Lanterns | 1968 | 29 |
| 27 | 17 | YESTERDAY'S GONE | Chad Stuart and Jeremy Clyde | 1964 | 21 | ||
| 30 | 14 | 18 | YELLOW RIVER | Christie | 1970 | 23 | |
| 18 | 52 | 19 | I GOT YOU | Split Enz | 1980 | 53 | |
| 19 | 46 | 20 | STAIRWAY TO HEAVEN | Led Zeppelin | 1972 | ||
| 21 | DARLIN' | The Beach Boys | 1968 | 19 | |||
| 22 | JIMMY LOVES MARY-ANNE | Looking Glass | 1973 | 33 | |||
| 23 | TALK TALK | The Music Machine | 1966 | 15 | |||
| 45 | 24 | BIG MAN IN TOWN | The 4 Seasons | 1964 | 20 | ||
| 49 | 25 | WAIT TIL' MY BOBBY GETS HOME | Darlene Love | 1963 | 26 | ||
| 26 | WOLD | Harry Chapin | 1974 | 36 | |||
| 11 | 170 | 27 | AIN'T NO MOUNTAIN HIGH ENOUGH | Marvin Gaye & Tammi Terrell | 1967 | 19 | |
| 30 | 19 | 28 | RUNAWAY | Jefferson Starship | 1978 | 12 | |
| 47 | 20 | 29 | NEW YORK'S A LONELY TOWN | The Trade Winds | 1965 | 32 | |
| 59 | 30 | BUT IT'S ALRIGHT | J.J. Jackson | 1966 | 22 | ||
| 77 | 31 | WITCHI TAI TO | Everything Is Everything | 1969 | 69 | ||
| 107 | 32 | ARIEL | Dean Friedman | 1977 | 26 | ||
| 33 | RIDIN' IN MY CAR | NRBQ | 1977 | ||||
| 15 | 146 | 34 | SAIL ON SAILOR | The Beach Boys | 1973 | 49 | |
| 31 | 35 | MY WORLD FELL DOWN | Sagittarius | 1967 | 70 | ||
| 136 | 36 | LET'S WORK TOGETHER (Part 1) | Wilbert Harrison | 1969 | 32 | ||
| 37 | SOS | ABBA | 1975 | 15 | |||
| 38 | IS IT TRUE | Brenda Lee | 1964 | 17 | |||
| 83 | 39 | BEGGIN' | The 4 Seasons | 1967 | 16 | ||
| 90 | 40 | WONDERFUL SUMMER | Robin Ward | 1963 | 14 | ||
| 27 | 41 | TEMPTATION EYES | The Grass Roots | 1971 | 15 | ||
| 42 | PRETTY LADY | Lighthouse | 1973 | 53 | |||
| 50 | 95 | 24 | 43 | EVERY DAY I HAVE TO CRY | Steve Alaimo | 1963 | 46 |
| 6 | 7 | 44 | AT THE TOP OF THE STAIRS | The Formations | 1968 | 83 | |
| 45 | CHERRY HILL PARK | Billy Joe Royal | 1969 | 15 | |||
| 22 | 46 | YOU BABY | The Turtles | 1966 | 20 | ||
| 47 | WHEN THE LOVELIGHT STARTS SHINING THROUGH HIS EYES | The Supremes | 1963 | 23 | |||
| 48 | WE GOTTA GET YOU A WOMAN | Runt (Todd Rundgren) | 1971 | 20 | |||
| 97 | 49 | WHERE WERE YOU WHEN I NEEDED YOU | The Grass Roots | 1966 | 28 | ||
| 22 | 93 | 33 | 50 | I'LL FEEL A WHOLE LOT BETTER | The Byrds | 1965 | 103 |
| 203 | 51 | KEEP THE BALL ROLLIN' | Jay and the Techniques | 1967 | 14 | ||
| 26 | 52 | OPUS 17 (Don't You Worry 'Bout Me) | The 4 Seasons | 1966 | 13 | ||
| 51 | 30 | 53 | ABSOLUTELY RIGHT | Five Man Electrical Band | 1971 | 26 | |
| 54 | WALK TALL (LIKE A MAN) | 2 of Clubs | 1967 | 92 | |||
| 37 | 55 | SUGAR ON SUNDAY | The Clique | 1969 | 22 | ||
| 122 | 56 | LAKE SHORE DRIVE (L.S.D.) | Aliotta, Haynes, Jeremiah | 1971 | |||
| 20 | 57 | TAXI | Harry Chapin | 1972 | 24 | ||
| 152 | 58 | SOMETHING IN THE AIR | Thunderclap Newman | 1969 | 37 | ||
| 59 | EVERYBODY KNOWS MATILDA | Duke Baxter | 1969 | 52 | |||
| 126 | 60 | QUESTIONS 67 AND 68 | Chicago | 1969 | 24 | ||
| 61 | IN YOUR EYES | Peter Gabriel | 1986 | 26 | |||
| 12 | 62 | IT COULD BE WE'RE IN LOVE | The Cryan' Shames | 1967 | 85 | ||
| 51 | 63 | BACK WHEN MY HAIR WAS SHORT | Gunhill Road | 1973 | 40 | ||
| 99 | 17 | 71 | 64 | COME AND GET THESE MEMORIES | Martha & the Vandellas | 1963 | 29 |
| 5 | 41 | 65 | I MELT WITH YOU | Modern English | 1983 | 78 | |
| 8 | 25 | 66 | I CAN'T LET GO | The Hollies | 1966 | 42 | |
| 67 | I'M INTO SOMETHING GOOD | Herman's Hermits | 1964 | 13 | |||
| 164 | 68 | I WILL ALWAYS THINK ABOUT YOU | The New Colony Six | 1968 | 22 | ||
| 17 | 69 | SOUL COAXING (Ame Caline) | Raymond LeFevre and His Orchestra | 1968 | 37 | ||
| 92 | 43 | 70 | LET HER DANCE | Bobby Fuller Four | 1965 | 133 | |
| 69 | 71 | LOVE LAND | Charles Wright and the Watts 103rd Street Rhythm Band | 1970 | 16 | ||
| 200 | 72 | JUST LIKE ME | Paul Revere and the Raiders | 1966 | 11 | ||
| 73 | YEH, YEH | Georgie Fame and the Blue Flames | 1965 | 21 | |||
| 61 | 21 | 74 | SO VERY HARD TO GO | Tower of Power | 1973 | 17 | |
| 75 | DOES YOUR MAMA KNOW ABOUT ME | Bobby Taylor & the Vancouvers | 1968 | 29 | |||
| 53 | 106 | 76 | ALL MY LOVING | The Beatles | 1964 | 45 | |
| 48 | 54 | 77 | SOMEDAY, SOMEWAY | Marshall Crenshaw | 1982 | 36 | |
| 8 | 78 | THE RIVER IS WIDE | The Grass Roots | 1969 | 31 | ||
| 26 | 79 | TINY DANCER | Elton John | 1972 | 41 | ||
| 37 | 52 | 18 | 80 | THERE IS | The Dells | 1968 | 20 |
| 81 | MORNING GIRL | The Neon Philharmonic | 1969 | 17 | |||
| 82 | PORTRAIT OF MY LOVE | The Tokens | 1967 | 36 | |||
| 83 | BADGE | Cream | 1969 | 60 | |||
| 128 | 84 | 5-10-15-20 (25-30 Years of Love) | The Presidents | 1970 | 11 | ||
| 85 | HOMBURG | Procol Harum | 1967 | 34 | |||
| 86 | 7 AND 7 IS | Love | 1966 | 33 | |||
| 44 | 87 | ANY DAY NOW (My Wild Beautiful Bird) | Chuck Jackson | 1962 | 23 | ||
| 132 | 88 | TUESDAY AFTERNOON (Forever Afternoon) | The Moody Blues | 1968 | 24 | ||
| 89 | WENDY | The Beach Boys | 1964 | 44 | |||
| 68 | 56 | 90 | IT'S A SHAME | The Spinners | 1970 | 14 | |
| 53 | 91 | NATHAN JONES | The Supremes | 1971 | 16 | ||
| 104 | 92 | TWELVE THIRTY (Young Girls Are Coming to the Canyon) | The Mamas & the Papas | 1967 | 20 | ||
| 75 | 154 | 93 | THE EYES OF A NEW YORK WOMAN | B.J. Thomas | 1968 | 28 | |
| 55 | 94 | TOMORROW | Strawberry Alarm Clock | 1968 | 23 | ||
| 95 | IT'S GONNA TAKE A MIRACLE | The Royalettes | 1966 | 41 | |||
| 96 | RHAPSODY IN THE RAIN | Lou Christie | 1966 | 16 | |||
| 201 | 97 | DARLING BE HOME SOON | The Lovin' Spoonful | 1967 | 15 | ||
| 98 | I SAW HER STANDING THERE | The Beatles | 1964 | 14 | |||
| 99 | I'D WAIT A MILLION YEARS | The Grass Roots | 1969 | 15 | |||
| 77 | 188 | 100 | NEEDLES AND PINS | The Searchers | 1964 | 13 | |
| 101 | MORSE CODE OF LOVE | The Capris | 1982 | ||||
| 102 | MORE TODAY THAN YESTERDAY | Spiral Starecase | 1969 | 12 | |||
| 27 | 243 | 103 | NO MILK TODAY | Herman's Hermits | 1967 | 35 | |
| 104 | MIND EXCURSION | The Trade Winds | 1966 | 51 | |||